Summer Reading

Lincolnshire, 1537. Amid England's religious turmoil, fifteen-year-old Anne Askew is forced to take her dead sister's place in an arranged marriage. The witty, well-educated gentleman's daughter is determined to free herself from her abusive husband, harsh in-laws, and the cruel strictures of her married life. But this is the England of Henry VIII, where religion and politics are dangerously entangled. A young woman of Anne's fierce independence, Reformist faith, uncanny command of plainspoken scripture, and--not least--connections to Queen Katheryn Parr's court cannot long escape official notice, or censure. In a deft blend of history and imagination, award-winning novelist Rilla Askew brings to life a young woman who defied the conventions of her time, ultimately braving torture and the fire of martyrdom for her convictions. A rich evocation of Reformation England, from the fenlands of Lincolnshire to the teeming religious underground of London to the court of Henry VIII, this gripping tale of defiance is as pertinent today as it was in the sixteenth century. While skillfully portraying a significant historical figure--one of the first female writers known to have composed in the English language--Prize for the Fire renders the inner life of Anne Askew with a depth and immediacy that transcends time.  

THE INSTANT NEW YORK TIMES BESTSELLER! "A powerful portrait of the courageous women who fought against ignorance, misogyny, and racial prejudice." -William Kent Krueger, New York Times bestselling author of This Tender Land and Lightning Strike The new novel from the New York Times bestselling author of The Book Woman of Troublesome Creek! Bestselling historical fiction author Kim Michele Richardson is back with the perfect book club read following Honey Lovett, the daughter of the beloved Troublesome book woman, who must fight for her own independence with the help of the women who guide her and the books that set her free. In the ruggedness of the beautiful Kentucky mountains, Honey Lovett has always known that the old ways can make a hard life harder. As the daughter of the famed blue-skinned, Troublesome Creek packhorse librarian, Honey and her family have been hiding from the law all her life. But when her mother and father are imprisoned, Honey realizes she must fight to stay free, or risk being sent away for good. Picking up her mother's old packhorse library route, Honey begins to deliver books to the remote hollers of Appalachia. Honey is looking to prove that she doesn't need anyone telling her how to survive. But the route can be treacherous, and some folks aren't as keen to let a woman pave her own way. If Honey wants to bring the freedom books provide to the families who need it most, she's going to have to fight for her place, and along the way, learn that the extraordinary women who run the hills and hollers can make all the difference in the world.

The narrative is based on two historical figures of the late 19th century, Jean-Baptiste Lamy and Joseph Projectus Machebeuf, and rather than any one singular plot, is the stylized re-telling of their lives serving as Roman Catholic clergy in New Mexico. The narrative has frequent digressions, either in terms of stories related to the pair (including the story of the Our Lady of Guadalupe and the murder of an oppressive Spanish priest at Acoma Pueblo) or through their recollections. The narration is in third-person omniscient style. Cather includes many fictionalized accounts of actual historical figures, including Kit Carson, Manuel Antonio Chaves and Pope Gregory XVI. In the prologue, Bishop Ferrand, an Irish bishop who works in the New World, solicits three cardinals at Rome to pick his candidate for the newly created diocese of New Mexico (which has recently passed into American hands). Bishop Ferrand is successful in getting his candidate, the Auvergnat Jean-Marie Latour, recommended by the cardinals over the recommendation of the Bishop of Durango (under whose territory New Mexico had previously fallen). One of the cardinals, a Spaniard named Allende, alludes to a painting by El Greco taken from his family by a missionary to the New World and lost, and asks for the new Bishop to search for it.

A NEW YORK TIMES "TEN BEST BOOKS OF 2022" An Oprah's Book Club Selection * An Instant New York Times Bestseller * An Instant Wall Street Journal Bestseller * A #1 Washington Post Bestseller  "Demon is a voice for the ages--akin to Huck Finn or Holden Caulfield--only even more resilient." --Beth Macy, author of Dopesick "May be the best novel of 2022. . . . Equal parts hilarious and heartbreaking, this is the story of an irrepressible boy nobody wants, but readers will love." (Ron Charles, Washington Post) From the acclaimed author of The Poisonwood Bible and The Bean Trees, a brilliant novel that enthralls, compels, and captures the heart as it evokes a young hero's unforgettable journey to maturity Set in the mountains of southern Appalachia, Demon Copperhead is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. Relayed in his own unsparing voice, Demon braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities. Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens' anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can't imagine leaving behind.

#1 NEW YORK TIMES BESTSELLER * A twist you won't see coming. A love story you'll never forget. From the acclaimed author of The Notebook comes a powerful novel about risking everything for a dream--and whether it's possible to leave the past behind.   We don't always get to choose our paths in life; sometimes they choose us. ONE OF THE BEST BOOKS OF THE YEAR: PopSugar After fleeing an abusive husband with her six-year-old son, Tommie, Beverly is attempting to create a new life for them in a small town off the beaten track. Despite their newfound freedom, Beverly is constantly on guard: she creates a fake backstory, wears a disguise around town, and buries herself in DIY projects to stave off anxiety. But her stress only rises when Tommie insists he'd been hearing someone walking on the roof and calling his name late at night. With money running out and danger seemingly around every corner, she makes a desperate decision that will rewrite everything she knows to be true. . . .   Meanwhile, Colby Mills is on a heart-pounding journey of another kind. A failed musician, he now heads a small family farm in North Carolina. Seeking a rare break from his duties at home, he spontaneously takes a gig playing in a bar in St. Pete Beach, Florida, where he meets Morgan Lee--and his whole life is turned upside-down.   The daughter of affluent Chicago doctors, Morgan has graduated from a prestigious college music program with the ambition to move to Nashville and become a star. Romantically and musically, she and Colby complete each other in a way that neither has ever known.   In the course of a single unforgettable week, two young people will navigate the exhilarating heights and heartbreak of first love. Hundreds of miles away, Beverly will put her love for her young son to the test. And fate will draw all three people together in a web of life-altering connections . . . forcing each to wonder whether the dream of a better life can ever survive the weight of the past.